I reckon every composer's compositions should start with number 0
This evening I'm heading off to a quartet rehearsal, where (barring mishaps) we should be rehearsing this piece. Which is good fun, and not nearly well enough known. If we can get it sufficiently together (the tempo changes and such in the third movement are something of a trip hazard) we might even spring it on an unsuspecting public some time. Which would be nice. Well, nice for us.