Eine Kleine Nichtmusik

Witty and pertinent observations on matters of great significance OR Incoherent jottings on total irrelevancies OR Something else altogether OR All of the above

Saturday, September 12, 2009


I've just been to see Quentin Tarantino's Inglourious Basterds and I thoroughly enjoyed it. That it plays fast and loose with historical fact will not come as a shock. Actually slow and loose might be nearer the mark, as a number of reviewers have commented that the film drags and contained a lot of scenes which would have benefited from cutting. While I can see what they were complaning about, for the most part the leisurely unfolding of the story helps to build the tension. As a Tarantino film it contained a lot of his trademarks: brilliantly chosen (albeit anachronistic) music; an obvious love for the craft of film-making (and film-showing); a strong streak of black humour; sudden and extreme violence; strong and well-directed central performances from Daniel Bruhl, Melanie Laurent and Christoph Waltz. There are some surprisingly moving moments (surprising for a Tarantino film anyway). I look forward to seeing it again when the DVD comes out.


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